Showing posts with label Star Trek: The Next Generation. Show all posts
Showing posts with label Star Trek: The Next Generation. Show all posts

Monday, May 4, 2015

Star Trek on the BBC: 1995 to 1998

1995

The trend had been for Star Trek to spend longer and longer off air between blocks of repeats. From 1969 to 1976 the series ran annually before taking a break in 1977 and returning again from 1978 to 1981. A three year gap was then followed by another run of repeats from 1984 to 1986. Star Trek was then off the air for six years before returning as a substitute for Star Trek: The Next Generation between 1992 and 1994. Surprisingly in 1995 the series bucked this trend by returning within 18 months although the series was no longer in the 6pm weekday slot. It was dropped onto Sunday morning at 11.40; a time when the majority of viewers are presumed to be recovering from a hangover in front of the telly. Star Trek spent the rest of 1995 playing out in front of an audience too fragile to cope with the rigours of watching Countryfile on BBC1. At the end of the year The Conscience Of The King displaces The Menagerie Part I, presumably to stop the story being split around the new year break. This means that by 1995 the BBC has repeated Star Trek seven times but only the 1992 to 1994 repeats were completely in NBC order. 


1996

Star Trek stayed in the Sunday morning bacon sandwich and coffee slot until 21 April. It was replaced by a series called Fully Booked which sounds far too bright, active, and loud for that time of day.

In August BBC2 marked Star Trek's 30th anniversary with a repeat of The Cage and The Man Trap and a night devoted to Star Trek on Bank Holiday Monday; 26 August [1]. This themed evening was a mixture of comedy, documentary, and quiz programmes. The night also promoted BBC2's purchase of Star Trek: Voyager. The Caretaker would be shown as part of the theme night and the series began at the end of September. In fact the end of 1996 was a good time to be a Star Trek fan with repeats of Star Trek: The Next Generation on Wednesday, series two of Deep Space Nine on Thursday, and Voyager series one on Sunday. All that was missing was the series which started it all. 

1997 

If the end of 1996 had been a good time to be a Star Trek fan then the start of 1997 must have been paradise. The Next Generation on Wednesday at 6pm, Deep Space Nine at the same time on Thursday, Star Trek on Friday (in the 6pm "cult tv" slot previously occupied by Gerry Anderson's series UFO), Star Trek: The Animated Series on Sunday morning at 6.45am, and Voyager also on Sunday at the more sociable time of 6.45pm.

As 1997 goes on the repeat run is disrupted. Star Trek is bumped on 16 March by regular BBC1 programmes transferred to BBC2 because of Comic Relief. A couple of months later the same thing happens again in the aftermath of the General Election on 2 May. Then on 23 May it's the turn of golf and tennis.

Star Trek took a break over the summer and returned at the end of August. Two days later Diana Princess of Wales died on 31 August and the UK entered a strange week of national mourning. On Friday 5 September, the day before the funeral, in response to an increasingly ugly public mood the Queen made a speech at 6pm which was carried live on BBC1. It seems extraordinary to think that BBC2 was showing A Piece Of The Action as this unprecedented speech was being made but there is no evidence to show that the BBC2 schedule was altered.

In November there's a two week gap caused by the BBC's apparent desire to repeat some Ren And Stimpy followed by another week off due to snooker. The series returns for three weeks in December and then goes off the air over Christmas. 

1998

The watchword for 1998 is unpredictability and the tone is set on 16 January when Star Trek is bumped for ice skating after two weeks of repeats. Spectre Of The Gun is broadcast on 23 January and then Star Trek takes another two weeks off for programmes about the forthcoming Winter Olympics. Not the actual Winter Olympics themselves but two programmes about the Winter Olympics in general. Actually this is fair enough. The 1998 Winter Olympics came from Nagano in Japan and with live broadcasts running from midnight to 4am the games needed all the publicity they could get. That said it's something of a disappointment when Star Trek returns once on 13 February and then goes off on a much needed holiday; shagged out after four whole repeats over the first seven Fridays of the year. Don't worry, the series will be back in April on Good Friday once Robot Wars has finished, plus another week for sport; tennis and more ice skating.

Amazingly the repeats then run for eight whole weeks before sport intervenes. The Mark Of Gideon is postponed on 5 June; probably due to overrunning cricket. The following week That Which Survives is also bumped; either because of overrunning tennis or possibly World Cup football. The Friday after this has already been set aside for more sport -a triple bill of cricket, Royal Ascot, and tennis- and then it's Wimbledon fortnight so its not until 10 July that Star Trek briefly elbows its way into the schedules for The Mark Of Gideon. The following week is The First Night Of The Proms, and some more golf. Quick there's a Friday without any sport or culture scheduled! That Which Survives is repeated on 24 July. 

The Lights Of Zetar, Requiem For Methuselah, and The Way To Eden all follow. There are only four episodes left. Can they make it on air? No! European Athletics and more cricket block the way. The Cloud Minders makes it through on 4 September, and then -oh no!- it's two weeks of The Commonwealth Games followed by highlights of the Scottish National Party annual conference from beautiful downtown Inverness.

Finally, the last three episodes of season three make their way on to BBC2, and Star Trek realises that its been relegated to filler status. Two years ago the programme was proudly celebrating its 30th anniversary. Now it's reduced to filling the gaps between other programmes.

In the list below the number in brackets shows the number of repeats of an episode. Most episodes are on their seventh showing; that's six repeats after the original broadcast.

1995-10-15     11.40     The Man Trap (7)
1995-10-22     11.40     Charlie X (7)
1995-10-29     11.40     Where No Man Has Gone Before (7)
1995-11-05     11.40      The Naked Time (7)
1995-11-12     11.40      The Enemy Within (7)
1995-11-19     11.40      Mudd's Women (7)
1995-11-26     11.40      What Are Little Girls Made Of? (7)
1995-12-03     11.40      Miri (3)
1995-12-10     11.40      Dagger Of The Mind (7)
1995-12-17     11.40      The Corbomite Manoeuvre (7)
1995-12-24     11.40      The Conscience Of The King (7)

1996-01-07     11:45     The Menagerie Part I (7)
1996-01-14     11:45     The Menagerie Part II (7)
1996-01-21     11:45      Balance Of Terror (7)
1996-01-28     11:45      Shore Leave (7)
1996-02-04     11:45      The Galileo Seven (8)
1996-02-11     11:45      The Squire Of Gothos (7)
1996-02-18     11:45      Arena (7)
1996-02-25     11:45      Tomorrow Is Yesterday (7)
1996-03-03     11:45      Court Martial (7)
1996-03-10     11:45      The Return Of The Archons (7)
1996-03-17     11:45      Space Seed (7)
1996-03-24     11:45      A Taste Of Armageddon (7)
1996-03-31     11:45      This Side Of Paradise (7)
1996-04-07     11:45      The Devil In The Dark (7)
1996-04-14     11:45      Errand Of Mercy (7)
1996-04-21     11:45      The Alternative Factor (7)
1996-08-19     18.25      The Cage (2)
1996-08-20     18.30      The Man Trap (8)

1997-01-24     18.00     The City On The Edge Of Forever (7)    
1997-01-31     18.00     Operation -- Annihilate! (7)  
1997-02-07     18.00     Amok Time (7)
1997-02-14     18.00     Who Mourns For Adonais? (7)
1997-02-21     18.00     The Changeling (7)
1997-02-28     18.00     Mirror, Mirror (7)
1997-03-07     18.00     The Apple (7)
1997-02-21     18.25     The Doomsday Machine (7)
1997-02-28     18.20     Catspaw (7)
1997-04-04     18.25     I, Mudd (7)
1997-04-11     18.20     Metamorphosis (7)
1997-04-18     18.20     Journey To Babel (7)
1997-05-09     18.20     Friday's Child (7)
1997-05-16     18.20     The Deadly Years (7)
1997-05-30     18.20     Obsession (7)
1997-06-06     18.25     The Wolf In The Fold (7)
1997-06-13     18.20     The Trouble With Tribbles (7)
1997-08-29     18.05     The Gamesters Of Triskelion (7)
1997-09-05     18.00     A Piece Of The Action (7)
1997-09-12     18.00     The Immunity Syndrome (7)
1997-09-19     18.00     A Private Little War (7)
1997-09-26     18.00     Return To Tomorrow (7)
1997-10-03     18.00     Patterns Of Force (7)
1997-10-10     18.00     By Any Other Name (7)
1997-10-17     18.25     The Omega Glory (7)
1997-10-24     18.20     The Ultimate Computer (7)
1997-10-31     18.25     Bread And Circuses (7)
1997-11-07     18.25     Assignment: Earth (7)
1997-12-05     18.20     Spock's Brain (7)
1997-12-12     18.20     The Enterprise Incident (7)
1997-12-19     18.20     The Paradise Syndrome (7)

1998-01-02     18.20     And The Children Shall Lead (7)
1998-01-09     18.25     Is There In Truth No Beauty (7)
1998-01-23     18.20     Spectre Of The Gun (7)
1998-02-13     18.00     Day Of The Dove (7)
1998-04-10     18.25     For The World Is Hollow And I Have Touched The Sky (7)
1998-04-17     18.25     The Tholian Web (7)
1998-04-24     18.20     Plato's Stepchildren(2)
1998-05-01     18.20     Wink Of An Eye (7)
1998-05-08     18.25     The Empath (2)
1998-05-15     18.25     Elaan Of Troyius (7)
1998-05-22     18.25     Whom Gods Destroy (2)
1998-05-29     18.25     Let That Be Your Last Battlefield (7)
1998-06-05     18.25     The Mark of Gideon POSTPONED
1998-06-12     18.25     That Which Survives POSTPONED
1998-07-10     18.25     The Mark of Gideon (7)
1998-07-24     18.45     That Which Survives (7)
1998-07-31     18.45     The Lights of Zetar (7)
1998-08-07     18.50     Requiem for Methuselah (7)
1998-08-14     18.45     The Way to Eden (7)
1998-09-04     18.40     The Cloud Minders (7)
1998-10-02     18.25     The Savage Curtain (7)
1998-10-16     18.25     All Our Yesterdays (7)
1998-10-30     18.25     Turnabout Intruder (7)


[1] 7.15 Star Trek Night Introduction. Craig Charles introduces an evening of programmes to celebrate 30 years of the fantastic universe created bv Gene Roddenberry.
7.20 To Boldly Go Where No Quiz Has Gone Before. Peter Smith sets out to find the ultimate Trekker as five contestants battle it out in an intergalactic mission through the logical and illogical rounds of Trek trivia to win a night with the stars of Star Trek.
Followed by Star Trekkers Comedian and actress Josie Lawrence reveals her admiration for Captain Picard, and Labour MP Paul Boateng considers Lt Uhura as a black role model.
8.00 Science: the Final Frontier. The world of Captain Kirk portrays a fantastic future, but how plausible are warp drives, transporters and photon torpedoes? Eminent scientists such as Stephen Hawking , Roger Penrose and Lawrence Krauss , author of The Physics of Star Trek, describe how Star Trek science fiction measures up to real-life science fact. Star Trek's science adviser Andre Bormanis explains how he tries to keep one step ahead of reality, while still presenting a plausible vision of the future, and experts at the cutting edge of science describe how they are experimenting with Star Trek's vision and coming up with answers of their own.
9.00 Spoof Trek. Over the years many comedians have seen the funny side of the Star Trek universe. Alistair McGowan introduces a collection of send-ups inspired by the programme.
Followed by Star Trekkers Jonathan Ross recalls his adolescent longing for a girlfriend with blue skin, and artist Damien Hirst contemplates the Borg.
9.25 Star Trek Story. Gene Roddenberry's Utopian vision of humanity in the 24th century had a profound effect on American viewers. During the height of the Cold War, the tension of the civil rights movement and the jingoism of the Vietnam War, they saw a multicultural crew working together on the bridge of the Enterprise. Leonard Nimoy , Patrick Stewart ,
Nichelle Nicols, Brent Spiner and others reflect on Star Trek's cultural impact over its 30-year history, and contemplate its future on the small screen.
10.20 Funk Me Up Scotty. In this tribute to the stars, John Peel forages in the archives for a collection of musical performances by Star Trek cast members, as well as various records inspired by Star Trek over the years.
Followed by Star Trekkers Astronomer Patrick Moore praises the qualities of the eternally logical Mr Spock , and feminist Camille Paglia reveals why she once wrote Data a love letter
10.50 Star Trek: Voyager. The pilot episode of the latest Star Trek series, starring Kate Mulgrew Caretaker. Agroup of "freedom fighters" called the Maquis take up arms to combat a new treaty between Cardassia and the Federation. Captain Kathryn Janeway of the USS Voyager has pursued a Maquis ship into the Badlands, but then both ships are catapulted 70,000 light years into an uncharted quadrant of space.
Star Trek: the Next Generation continues on Wednesday at 6.00pm
12.20am Star Trekkers Shaun Ryder and Kermit from Black Grape yearn for the fantasy world of the Holodeck.

Thursday, April 30, 2015

Star Trek on the BBC: 1990 to 1994

Click here for part one: 1969  
Click here for part two: 1970 
Click here for part three: 1971

Click here for part four: 1972

Click here for part five: 1973
Click here for part six: 1974 to 1976

Click here for part seven 1977 to 1982
Click here for part eight: 1984 to 1986

1990

The BBC had a new series to schedule. Star Trek: The Next Generation finally appeared on BBC2 on 26 September 1990; almost exactly three years after Encounter At Farpoint premièred on 28 September 1987.

According to fanzine DWB (issue 79 July 1990) the BBC had paid £8 million for the rights to the Paramount  Star Trek package which consisted of all 79 original series episodes, the first four Star Trek films, the 13 animated episodes, and "the 70 or so episodes of Star Trek: The Next Generation made so far." Included in the package were resale rights and behind the scenes the BBC made an unprecedented deal with new satellite broadcaster Sky Television. The original series rights were sold on to Sky TV who began showing the series on their channel Sky One with the UK première of The Cage; Sunday 29 July 1990 at 8pm. During this repeat run Sky One also became the first channel to show Plato's Stepchildren, The Empath, and Whom Gods Destroy in the UK, and also repeated Miri for the first time since the BBC1 broadcast on 2 December 1970.

For many UK fans this would have been their first chance to see Plato's Stepchildren, The Empath, and Whom Gods Destroy. There had been two video releases in December1983 (Miri and The Empath) and October 1984 (Plato's Stepchildren and Whom Gods Destroy). By 1990 CIC Video was releasing Star Trek in production order on VHS with two episodes per tape. Miri was probably released on VHS before the Sky One broadcast but with its twice daily showings Sky One might have just shown the other three episodes before they were released on VHS; The Empath was released 5 November 1990;  Plato's Stepchildren, January 1991; and Whom Gods Destroy, February 1991.

Sky also obtained the rights to show Star Trek: The Animated Series from 1991, and the first three season of Star Trek: The Next Generation once the BBC run ended in 1992. It's not clear from the DWB article if these rights were resold by the BBC or purchased independently by Sky. The BBC did not purchase the first run rights to anything beyond series three of Star Trek: The Next Generation.  A decision which would come back to bite the channel.

For no readily apparent reason the BBC shuffled around the episode order of Star Trek: The Next Generation, as it had previously done with Star Trek. The series started in US broadcast order but after that the sequence breaks down.

Season 1
BBC Order
Encounter At Farpoint
Encounter At Farpoint
The Naked Now
The Naked Now
Code Of Honor
Code Of Honor
The Last Outpost
Where No One Has Gone Before
Where No One Has Gone Before
Lonely Among Us
Lonely Among Us
The Last Outpost
Justice
The Battle
The Battle
Haven
Hide And Q
Justice
Haven
Hide And Q
The Big Goodbye
Too Short a Season
Datalore
The Big Goodbye
Angel One
Datalore
11001001
Angel One
Too Short a Season
11001001
When The Bough Breaks
Home Soil
Home Soil
When The Bough Breaks
Coming Of Age
Coming Of Age
Heart Of Glory
Symbiosis
The Arsenal of Freedom
The Arsenal of Freedom
Symbiosis
Heart Of Glory
Skin Of Evil
Skin Of Evil
We'll Always Have Paris
We'll Always Have Paris
Conspiracy
Conspiracy
The Neutral Zone
The Neutral Zone

1991

Star Trek: The Next Generation ran weekly on BBC2; generally at 6pm on Wednesday, opposite the Six O'Clock News. To keep this article from becoming impractically large I'm not going to list every episode but generally speaking there was almost no disruption to the run and, starting from the beginning of season two it was shown in the correct order.

1992

And then suddenly the BBC ran out of Star Trek: The Next Generation. DWB reported in July 1992 (issue 103), "The BBC have admitted they fouled up the rights to the highest-rated programme on BBC2." The BBC's rights to first run Star Trek: The Next Generation only covered seasons one to three. According to DWB 103 the BBC had to organise a special deal to allow The Best Of Both Worlds, Part II to be shown on 6 May 1992. Sky One would begin showing Star Trek: The Next Generation in the autumn of 1992 and had snapped up the first run rights to seasons four and five. The series had been popular on BBC2 from the start. Encounter At Farpoint drew an audience of 5.07 million and was the top rated programme for the week. The Naked Now placed second with 3.94 million. Code Of Honour returned to the number one slot with 4.38 million. With the rights to Star Trek: The Next Generation lost until 1994 the BBC turned back to the original series.

Speaking personally, original Star Trek seemed very stale at the time. I remember feeling that a repeat run of Star Trek was no substitute for the new adventures of Captain Picard. This feeling was compounded because Star Trek was now completely available on VHS. There was no longer any need to wait for the series to be scheduled on television, episodes could be watched in any order at any time; hated episodes could be skipped, and favourites watched and re-watched until video fatigue set in.

1993

A huge 48 week run with breaks only for cricket, 19 May and 7 July, and Wimbledon, 23 and 30 June. Only 1973 had more Star Trek, with 49 weeks of repeats.

1994

The last remaining episodes of season three were were shown and Star Trek: The Next Generation returned with the fourth season episode Family on Wednesday 13 April. Whatever deal the BBC struck to allow them to show The Best Of Both Worlds, Part II in 1992 didn't allow them a second showing in 1994. Requiem for Methuselah was postponed on 23 February 1994, because of the Winter Olympics. The BBC decided it would rather show then media sensation Tonya Harding's entry in the figure skating contest.

In the list below the number in brackets shows the number of times an episode has been broadcast. The Cage is being shown for the first time so it has no number, The Man Trap is on its sixth transmission (a first run plus five repeats), while Miri has been shown twice (once in 1970, and now the first repeat).

1992

1992-08-19     18:00     The Cage
1992-08-26     18:00     The Man Trap (6)
1992-09-02     18:00     Charlie X (6)
1992-09-09     18:00     Where No Man Has Gone Before (6)
1992-09-16     18:00     The Naked Time (6)
1992-09-23     18:00     The Enemy Within (6)
1992-09-30     18:00     Mudd's Women (6)
1992-10-07     18:00     What Are Little Girls Made Of? (6)
1992-10 14     18:00     Miri (2)
1992-10-21     18:00     Dagger Of The Mind (6)
1992-10-28     18:00     The Corbomite Manoeuvre (6)
1992-11-04     18:00     The Menagerie Part I (6)
1992-11-11     18:00     The Menagerie Part II (6)
1992-11-18     18:00     The Conscience Of The King (6)
1992-11-25     18:00     Balance Of Terror (6)
1992-12-02     18:00     Shore Leave (6)
1992-12-09     18:00     The Galileo Seven (7)
1992-12-16     18:00     The Squire Of Gothos (6)
1992-12-23     17:50     Arena (6)

1993-01-06     18.00     Tomorrow Is Yesterday (6)
1993-01-13     18.00     Court Martial (6)
1993-01-20     18.00     The Return Of The Archons (6)
1993-01-27     18.00     Space Seed (6)
1993-02-03     18.00     A Taste Of Armageddon (6)
1993-02-10     18.00     This Side Of Paradise (6)
1993-02-17     18.00     The Devil In The Dark (6)
1993-02-24     18.00     Errand Of Mercy (6)
1993-03-03     18.00     The Alternative Factor (6)
1993-03-10     18.00     The City On The Edge Of Forever (6)
1993-03-17     18.00     Operation -- Annihilate! (6)
1993-03-24     18.00     Amok Time (6)
1993-03-31     18.00     Who Mourns For Adonais? (6)
1993-04-07     18.00     The Changeling (6)
1993-04-14     18.00     Mirror, Mirror (6)
1993-04-21     18.00     The Apple (6)
1993-04-28     18.00     The Doomsday Machine(6)
1993-05-05     18.00     Catspaw (6)
1993-05-12     18.00     I, Mudd (6)
1993-05-26     18.00     Metamorphosis (6)
1993-06-02     18.00     Journey To Babel (6)
1993-06-09     18.00     Friday's Child (6)
1993-06-16     18.00     The Deadly Years (6)
1993-07-14     18.00     Obsession (6)
1993-07-21     18.00     The Wolf In The Fold (6)
1993-07-28     18.00     The Trouble With Tribbles (6)
1993-08-04     18.00     The Gamesters Of Triskelion (6)
1993-08-11     18.00     A Piece Of The Action (6)
1993-08-18     18.00     The Immunity Syndrome (6)
1993-08-25     18.00     A Private Little War (6)
1993-09-01     18.00     Return To Tomorrow (6)
1993-09-08     18.00     Patterns Of Force (6)
1993-09-15     18.00     By Any Other Name (6)
1993-09-22     18.00     The Omega Glory (6)
1993-09-29     18.00     The Ultimate Computer (6)
1993-10-06     18.00     Bread And Circuses (6)
1993-10-13     18.00     Assignment: Earth (6)
1993-10-20     18.00     Spock's Brain (6)
1993-10-27     18.00     The Enterprise Incident (6)
1993-11-03     18.00     The Paradise Syndrome (6)
1993-11-10     18.00     And The Children Shall Lead (6)
1993-11-17     18.00     Is There In Truth No Beauty (6)
1993-11-24     18.00     Spectre Of The Gun (6)
1993-12-01     18.00     Day Of The Dove (6)
1993-12-08     18.00     For The World Is Hollow And I Have Touched The Sky (6)
1993-12-15     18.00     The Tholian Web (6)
1993-12-22     18.00     Plato's Stepchildren
1993-12-29     18.00     Wink Of An Eye (6)

1994-01-05     18.00     The Empath
1994-01-12     18.00     Elaan Of Troyius (6)
1994-01-19     18.00     Whom Gods Destroy
1994-01-26     18.00     Let That Be Your Last Battlefield (6)
1994-02-02     18.00     The Mark of Gideon (6)
1994-02-09     18.00     That Which Survives (6)
1994-02-16     18.00     The Lights of Zetar (6)
1994-02-23     18.00     Requiem for Methuselah POSTPONED
1994-03-02     18.00     The Way to Eden (6)
1994-03-02     18.00     Requiem for Methuselah  (6)
1994-03-16     18.00     The Cloud Minders (6)
1994-03-23     18.00     The Savage Curtain (6)
1994-03-30     18.00     All Our Yesterdays (6)
1994-04-06     18.00     Turnabout Intruder (6)

Sunday, February 1, 2015

Star Trek On The BBC: 1984 to 1986

Click here for part one: 1969  
Click here for part two: 1970 
Click here for part three: 1971

Click here for part four: 1972

Click here for part five: 1973
Click here for part six: 1974 to 1976

Click here for part seven 1977 to 1982

1984
Two episodes of Star Trek were shown in 1982; Operation -- Annihilate! and an unscheduled showing of The Savage Curtain. Apart from that the series had been off the air since May 1981. The longest gap since the BBC began showing Star Trek in 1969.

News of this repeat run leaked out into the UK Star Trek fan community. Fans began writing to the BBC to request that the four withdrawn episodes (Miri, The Empath, Whom Gods Destroy, and Plato's Stepchildren) be included. An example of the BBC's standard negative response is available online. Presumably fans had also been writing to the BBC about the eccentric episode order used to schedule Star Trek and here they had more success. For the first time the series would be shown in NBC broadcast order. This change in policy does not seem to have been extended to other imported programmes. Mission: Impossible repeats would run after Star Trek in 1986 and the episodes shown were a random selection of stories from seasons two to five.


That said, it's not long before the BBC breaks with the NBC order. The Squire Of Gothos and The Return Of The Archons are both missing from the 1984 repeats. The scheduling of the 1984 repeats is quite disrupted. The series starts on Tuesday at 18.40 and changes after six weeks to Monday at 19.10 where it replaces Manimal. Then on 20 August Star Trek is pushed into an earlier slot by a combination of International Athletics at 18.15 and a worthy but frankly depressing sounding programme at 20.00 called Still The Biggest Epidemic*. After a break for the August Bank Holiday the series is on the move again, back to Tuesday but this time at the much earlier time of 17.10. This is the earliest the BBC has ever scheduled Star Trek; except for the morning Christmas repeats of 1974/75/76 under the Holiday Star Trek banner. 

1985 
Star Trek returned after Christmas. It was shifted to Wednesday and a later slot around 19.00. The first two episodes shown were The Squire Of Gothos and The Return Of The Archons. Could ongoing concerns over their content have caused both episodes to be held back so they could be shifted into a later time slot? In the case of The Return Of The Archons it's quite possible. This was an episode which went unrepeated between 1969 and 1974; my best guess is because the Festival scenes were felt to be too intense. It's interesting to note that four of the five episodes shown at the start of 1985 were transmitted at 18.55 while The Return Of The Archons is preceded by a Daffy Duck cartoon which pushes the start time back to 19.00. This might seem insignificant but programming before the 21.00 watershed tends to be done on the assumption that less child friendly material is shown later, by starting dead on 19.00 the BBC might have felt it was sending a message that this programme was not suitable for very young children.

Home video recorders were more common by 1984. So it was probably in 1984 that this happened (it's next to impossible to tell if this was 1979 or 1984). The BBC edited their copies of Star Trek to put the titles first followed by the teaser which ran into act one. This seems to have been done on the assumption that the BBC was not a commercial channel so it shouldn't use commercial tactics to hook viewers. Cutting and rejoining the film left a weak point which is why it snaps where it does. There's an example of how the BBC went straight into the opening titles here along with a nice slow fade from the BBC globe into the Star Trek stars; one continuity announcer seems to have been particularly fond of the way that looked. 

There is no obvious reason to explain why The Squire Of Gothos was held back.

The last episode of Star Trek to be shown on BBC1 was Who Mourns For Adonais? The channel was undergoing radical changes and the following week was a key moment in the BBC's history. On Monday 18th February BBC1 was relaunched with a new look, a simplified schedule with more programmes starting on the hour or half hour, and the chat show Wogan to anchor the evening schedule on Monday Wednesday and Friday, and soap opera EastEnders on Tuesday and Thursday. This new broom approach included moving Star Trek to BBC2. In itself not an unreasonable decision, the series was by now nearly 20 years old and most episodes had been shown five times, but it seemed to also mark a sea change in the BBC's attitude to science fiction. Before 1985 science fiction had been populist -Star Trek, Doctor Who, Blake's Seven, Doomwatch, Survivors, The Hitch-Hiker's Guide to the Galaxy- after 1985 it seems to have been regarded largely as a failed genre (see the cancellation of The Tripods, planned as a trilogy but cancelled because of poor ratings while the second series was still being made) suitable only for the "minority" channel BBC2. This was a decision which cast a long shadow and into the 1990s series like Star Trek: The Next Generation, Quantum Leap, and The X-Files premièred on BBC2 when they might otherwise have been seen on BBC1. Actually The X-Files became one of the few science fiction series to escape from BBC2. It made the transition to BBC1 in 1996 and amusingly BBC1 accidentally revived an old tradition. The first three episodes shown on the channel were in the wrong order. 

The week before the repeats kicked off on BBC2 the channel showed a special produced in 1983 called Leonard Nimoy: Star Trek Memories. According to Memory Alpha this special was often included in syndication packages to increase the number of episodes to 80. If the BBC was being supplied with syndication copies of episodes then it explains my surprise in 1990 when I discovered the VHS version of And The Children Shall Lead included a lengthy scene of Kirk in a cave on Triacus missing from the BBC2 repeat; listed as a syndication cut in The Nitpicker's Guide for Classic Trekkers. The regular repeats ran weekly on Thursday at 18.00. The BBC was now using Star Trek as counterprogramming to the hour of national and local news on BBC1. Exactly what happened to Star Trek when it first entered syndication in 1969.

1986
A much more straightforward year in contrast to all the changes of 1985. Leonard Nimoy: Star Trek Memories was given a second repeat on Monday 2 June 1986 at 17.40. The one mystery of the year is the showing of The Galileo Seven on Tuesday 30 December. It's possible this was a delayed repeat after the showing on 9 October 1984 was postponed; that's what happened to Operation -- Annihilate! in 1982. However there's no obvious reason for why this could have happened. It's possible coverage of the 1984 Conservative Party Conference over ran but there's no evidence that this was the case. Nothing particularly newsworthy appears to have happened on 9 October 1984 which could have caused disruption to the schedule. 

Numbers in brackets below show the number of times each episode has been broadcast.

1984-06-26     18.40     BBC1     The Man Trap (5)
1984-07-03     18.40     BBC1     Charlie X (5)
1984-07-10     18.40     BBC1     Where No Man Has Gone Before (5)
1984-07-17     18.40     BBC1     The Naked Time (5)
1984-07-24     18.40     BBC1     The Enemy Within (5)
1984-07-30     19.10     BBC1     Mudd's Women (5)
1984-08-06     19.10     BBC1     What Are Little Girls Made Of? (5)
1984-08-13     19.10     BBC1     Dagger Of The Mind (5)
1984-08-20     18.45     BBC1     The Corbomite Maneuver (5)
1984-09-04     17.10     BBC1     The Menagerie Part I (5)
1984-09-11     17.10     BBC1     The Menagerie Part II (5)
1984-09-18     17.10     BBC1     The Conscience of the King (5)
1984-09-25     17.10     BBC1     Balance Of Terror (5)
1984-10-02     17.10     BBC1     Shore Leave (5)
1984-10-09     17.10     BBC1     The Galileo Seven (5)
1984-10-16     17.10     BBC1     Arena (5)
1984-10-23     17.10     BBC1     Tomorrow is Yesterday (5)
1984-10-30     17.10     BBC1     Court Martial (5)
1984-11-06     17.10     BBC1     Space Seed (5)
1984-11-13     17.10     BBC1     A Taste of Armageddon (5)
1984-11-20     17.10     BBC1     This Side of Paradise (5)
1984-11-27     17.10     BBC1     The Devil In The Dark (5)
1984-12-04     17.10     BBC1     Errand of Mercy (5)
1984-12-11     17.10     BBC1     The Alternative Factor (5)
1984-12-18     17.10     BBC1     The City On The Edge Of Forever (5) 

1985-01-09     18.55     BBC1     The Squire of Gothos (5)
1985-01-16     19.00     BBC1     The Return of the Archons (5)
1985-01-23     18.55     BBC1     Operation -- Annihilate! (5)
1985-02-06     18.55     BBC1     Amok Time (5)
1985-02-13     18.55     BBC1     Who Mourns For Adonais? (5)
1985-09-05     18.00     BBC2     The Changeling (5)
1985-09-12     18.00     BBC2     Mirror, Mirror (5)
1985-09-19     18.00     BBC2     The Apple (5)
1985-09-26     18.00     BBC2     The Doomsday Machine (5)
1985-10-03     18.00     BBC2     Catspaw (5)
1985-10-10     18.00     BBC2     I, Mudd (5)
1985-10-17     18.00     BBC2     Metamorphosis (5)
1985-10-24     18.00     BBC2     Journey To Babel (5)
1985-10-31     18.00     BBC2     Friday's Child (5)
1985-11-07     18.00     BBC2     The Deadly Years (5)
1985-11-14     18.00     BBC2     Obsession (5)
1985-11-21     18.00     BBC2     Wolf In The Fold (5)
1985-11-28     18.00     BBC2     The Trouble with Tribbles (5)
1985-12-05     18.00     BBC2     The Gamesters Of Triskelion (5)
1985-12-12     18.00     BBC2     A Piece Of The Action (5)
1985-12-19     18.00     BBC2     The Immunity Syndrome (5)

1986-01-09     18.00     BBC2     A Private Little War (5)
1986-01-16     18.00     BBC2     Return To Tomorrow (5)
1986-01-23     18.00     BBC2     Patterns Of Force (5)
1986-01-30     18.00     BBC2     By Any Other Name (5)
1986-02-06     18.00     BBC2     The Omega Glory (5)
1986-02-13     18.00     BBC2     The Ultimate Computer (5)
1986-02-20     18.00     BBC2     Bread And Circuses (5)
1986-02-27     18.00     BBC2     Assignment: Earth (5)
1986-03-06     18.00     BBC2     Spock's Brain (5)
1986-03-13     18.00     BBC2     The Enterprise Incident (5)
1986-03-20     18.00     BBC2     The Paradise Syndrome (5)
1986-03-27     18.00     BBC2     And the Children Shall Lead (5)
1986-04-03     18.00     BBC2     Is There in Truth No Beauty? (5)
1986-04-10     18.00     BBC2     Spectre of the Gun (5)
1986-09-04     18.00     BBC2     Day of the Dove (5)
1986-09-11     18.00     BBC2     For the World is Hollow and I Have Touched the Sky (5)
1986-09-18     18.00     BBC2     The Tholian Web (5)
1986-09-25     18.00     BBC2     Wink of an Eye (5)
1986-10-02     18.00     BBC2     Elaan of Troyius (5)
1986-10-09     18.00     BBC2     Let That Be Your Last Battlefield (5)
1986-10-16     18.00     BBC2     The Mark of Gideon (5)
1986-10-23     18.00     BBC2     That Which Survives (5)
1986-10-30     18.00     BBC2     The Lights of Zetar (5)
1986-11-13     18.00     BBC2     Requiem for Methuselah 5)
1986-11-20     18.00     BBC2     The Way to Eden (5)
1986-11-27     18.00     BBC2     The Cloud Minders (5)
1986-12-04     18.00     BBC2     The Savage Curtain (5)
1986-12-11     18.00     BBC2     All Our Yesterdays (5) 
1986-12-18     18.00     BBC2     Turnabout Intruder (5)
1986-12-30     18.00     BBC2     The Galileo Seven (6) 

1986-11-06: No Star Trek. All week the BBC was marking its 50th anniversary with archive repeats. On Thursday 6 from 18.00 you could have watched episodes of What's My Line?, Z Cars, Bruce Forsyth and The Generation Game, The Royal Ballet in The Firebird, Monty Python's Flying Circus, and Blue Remembered Hills.

*"Road accidents are the single biggest killer for people aged between 4 and 45. Accident statistics show that we are all likely to be injured on the road at some time in our lives.
One in three corpses dragged from a crashed car was 'drunk".'
Today the same is still true.... The wearing of front seat belts has brought the figures down to their lowest level in 30 years - 'the best piece of public health legislation this century'. It shows what can be done. But there are still 75,000 deaths and serious injuries each year. Why is this epidemic allowed to continue? Does no one care about the thousands of needless killings, twisted bodies, crippled minds ... because 'it'll never happen to me'? The carnage could be cut in half -this film shows how. "

Sunday, October 26, 2014

Star Trek on the BBC: 1970


Star Trek returned to BBC1 on 6 April 1970, one week after the Easter Bank Holiday Monday, and ran weekly until 24 August. In an odd scheduling move the series then took a one week break for the August Bank Holiday on 31 August, returned for one more episode on 7 September, and then took another four week break before returning again on 7 October.

The block of episodes from 6 April to 7 September appears to have been promoted as "series two" of Star Trek. The 1969 "series one" of 25 episodes had slotted neatly between series six and seven of Doctor Who but now the two programmes would run concurrently. Doctor Who was back on Saturdays at 5.20pm and Star Trek was scheduled for 7.10pm on Monday. The later start time might be due to Star Trek drawing a more adult audience than expected, or it might be because the stories were a little more intense than appropriate for the original 5.15pm start time, or it could just be that the series was a ratings success and the BBC wanted to bring Star Trek back as soon as possible and the 50 minute Monday evening slot vacated by The Andy Williams show was ideal.

The episodes shown were a random selection of season one and two stories. It's possible these were originally intended to fill an uninterrupted 22 week block ending on the Bank Holiday Monday. "Series three" would then begin in October 1970 following the September break. The slightly disjointed end to "series two" came about because the August Bank Holiday Monday evening slot was given over to a live rock climbing event from Wales; The Anglesey Climb The Spider's Web. These live outside broadcasts from around Great Britain were an occasional feature in the late 60s and early 70s. The most famous was the 1967 three day climb of The Old Man of Hoy, and there would be another in 1971 The Glencoe Climb. These live outside broadcasts seem to have been the inspiration for the Monty Python's Flying Circus sketch Climbing the North Face of the Uxbridge Road. 

In 1969 the successful Apollo 11 Moon landing had taken place between the first two episodes of Star Trek shown on BBC1. In an unfortunate echo of this the real life drama of Apollo 13 began on 14 April 1970 the day after The Enemy Within premièred. 

Towards the end of "series two" the Radio Times interviewed Gene Roddenberry.  The interview was published in the 25 June 1970 edition and was accompanied by this fantastic piece of Frank Bellamy art.

 
A "series three" of 16 episodes began on Wednesday 7 October 1970 and would continue until February 1971. The Ultimate Computer began this run and its broadcast was accompanied by a slightly confused Daily Mirror article which mixed up the BBC's invented "series three" with the actual last season three of Star Trek. In fact because of the way the BBC had divided up the stories they would be able to present a 14 episode "series four" in 1971. By the end of 1970 the BBC had showed all the episodes of season one and two, as well as a few from season three.
The Daily Mirror 7/10/1970
 

"Series three" was transmitted at 7.20pm. The start time had crept a little further forwards into the evening but it wasn't enough to head off some controversy when Miri was shown on 2 December 1970. Several viewers complained about the themes of the episode. The complaints have never been made public but the BBC took them seriously enough to review all unbroadcast episodes of Star Trek. Three more episodes were pulled; The Empath, Whom Gods Destroy, and Plato's Stepchildren. This must have been done at very short notice as The Empath was due to be shown on 16 December, two weeks after Miri, and remains on the BBC Genome site and in newspaper listings as being broadcast at 7.20pm. The BBC's institutional memory seems to have labelled all four episodes as utterly unsuitable for broadcast. As late as 1984 enquires to the BBC were being answered with the BBC line that, "we feel that [the episodes] all deal most unpleasantly with the already unpleasant subjects of madness,torture, sadism and disease. You will appreciate that account must betaken that out of Star Trek's large and enthusiastic following, many are juveniles who would watch the programme no matter what time of day the series is put into the programme schedules." These four episodes went unseen until 1993 when BBC2 began a full repeat season of Star Trek to fill the gap between their broadcast of season three and four of Star Trek: The Next Generation.  

Date             Time   Episode

1970-04-06: 19.10: Court Martial
1970-04-13: 19.10: The Enemy Within
1970-04-20: 19.10: Catspaw
1970-04-27: 19.10: Who Mourns for Adonais?
1970-05-04: 19.10: The Apple
1970-05-11: 19.10: Metamorphosis
1970-05-18: 19.10: Wolf In The Fold
1970-05-25: 18.15: The Changeling
1970-06-01: 19.10: The Trouble with Tribbles
1970-06-08: 19.10: Bread And Circuses
1970-06-15: 19.10: Mirror, Mirror scheduled but dropped for a World Cup repeat
1970-06-22: 19.10: Journey To Babel
1970-06-29: 19.10: The Deadly Years
1970-07-06: 19.10: A Private Little War
1970-07-13: 19.10: Obsession
1970-07-20: 19.10: By Any Other Name
1970-07-27: 19.10: I, Mudd
1970-08-03: 19.10: Patterns Of Force
1970-08-10: 19.10: The Immunity Syndrome
1970-08-17: 19.10: Return To Tomorrow
1970-08-24: 19.10: The Omega Glory
1970-09-07: 19.10: A Piece of the Action
1970-10-07: 19.20: The Ultimate Computer
1970-10-14: 19.20: Friday's Child
1970-11-04: 19.20: Assignment: Earth
1970-11-11: 19.20: Mirror, Mirror
1970-11-18: 19.20: The Gamesters of Triskelion
1970-11-25: 19.20: Amok Time
1970-12-02: 19.20: Miri
1970-12-09: 19.20: Operation -- Annihilate!
1970-12-16: 19.20: The Empath not shown, replaced by The Paradise Syndrome
1970-12-30: 19.20: Requiem for Methuselah

Notes

1) 1970-04-06. Court Martial was scheduled for broadcast on 1969-12-06 according to the BBC Genome site and The Daily Mirror, while Memory Alpha suggests The Alternative Factor. BBC Genome also lists Court Martial as starting the 1970 run of Star Trek. As do the Daily Mirror and the Daily Express. A repeat within the space of five months seems unlikely. The Daily Mirror listing specifically describes the 1970 broadcast as the start of a new series, as does the BBC Genome listing referring to "the new adventures of the Star Ship Enterprise." I think we can take this as confirmation that Court Martial was originally scheduled to be shown on 6 December 1969 but held back. A story in which Kirk must fight to keep control of the Enterprise might have been seen as a better hook to begin "series two."

2) 1970-05-25, a Whitsun Bank Holiday showing of
Disney Time pushed The Changeling into the earlier 6.15pm slot.

The Radio Times 16 July 1970
3) 1970-06-15 and 1970-11-11. What's going on? According to the Radio Times Mirror, Mirror was scheduled twice on 15 June 1970 and then later in the year on 11 November. Memory Alpha opts for Mirror, Mirror on 15 June and The Doomsday Machine on 11 November. However this cannot be correct. One reason for consulting physical copies of the Radio Times themselves is they carry information not yet available online; like the great piece of Star Trek art by Frank Bellamy further up this page. The Radio Times letters page for the week 16 July 1970 carries a viewer's letter which refers to Star Trek being dropped for a World Cup replay. This replay can only be the notorious (if you're an England fan) 3-2 loss to West Germany (the team England had beaten 4-2 in 1966 to win the world cup) which took place on 14 June 1970. It looks as if Star Trek was cancelled for a repeat of that match. What a fun evening of television that must have been.

4) In the second half of 1970 several one off specials interrupt "series three" of  Star Trek.

1970-10-21 (19.20)
Blackpool Tower Circus: An excerpt from the 1970 Show with The Svensons in their classical riding fantasy presenting a colourful Troika. Freddie Kenton and his beautiful partner, PETRONELLA, from Holland, in sophisticated juggling. David Rosaire with his family of perky pekes. Gerard Edon grace and electrifying thrills on the swinging trapeze. The Elwardos four young Danes hand-balancing on a staircase. Ruppert's Bears returning to Blackpool after a long engagement in Las Vegas. Charlie Cairoli with his son CHARLIE JUNIOR , his partner PAUL and the long suffering LITTLE JIMMY in trouble again - with the Circus plumbing. The Skating Sandras in the glittering water finale with The Tower Circusettes.


1970-10-28 (19.20)
Remember, Remember... : Millions get innocent pleasure and amusement from firework displays, but we are still one of the few countries left that sells fireworks to children. The law says that they must be over 13 before they can buy - but those badly burned are frequently much younger. Every year fireworks are an annual hazard which injure and scar thousands of children.
Two years ago the Man Alive team reported on the cost, in human suffering, of Guy Fawkes night. Last year, when the programme was shown on BBC1, it caused an outcry. A National Campaign to Prevent Fireworks was formed. Others cried ' kill-joy ' - but 1,000 fewer children were injured. Moves were made in Parliament to change the law. But still nothing has been done. Tonight a programme introduced by DESMOND WILCOX examines the question afresh, investigates the need for safety, questions the law as it stands today, and asks-is the situation good enough?

1970-12-23 (18.35)
Jesus: The story of His life through the eyes of the young generation Introduced by Kenneth More and featuring The Young Generation.
(19.20) Ace of Clubs: The Grand Final . Michael Aspel introduces a Gala Performance featuring artists competing in the Final of the 1970 Stage Awards from the City Varieties Theatre, Leeds. Of the 10 artists taking part, five will receive Golden Jesters, and the most outstanding act will be presented with the Bernard Delfont Special Award. 

5)  1970-12-16. What replaced The Empath? The Paradise Syndrome like The Doomsday Machine has no first-run date listed on BBC Genome. The first repeat takes place in 1973 scheduled between Operation -- Annihilate! and Requiem For Methuselah, a pattern also repeated in 1975. In 1980 something odd happens. The schedule goes I, Mudd, The Paradise Syndrome, then Requiem For Methuselah but as The Paradise Syndrome and Requiem For Methuselah are repeated back to back I think the point still holds. The Paradise Syndrome must have premièred the week before Requiem For Methuselah which makes it 16 December 1970; the date planned for The Empath before that story was cancelled in the wake of complaints about Miri.

Monday, December 23, 2013

The Empath

It feels unfair to criticise The Empath because it's a sincere attempt to tell a very different story. There are none of the usual Star Trek staples; no one "dies" or is presumed dead, and nobody falls in love or meets an old flame. Gem is an attempt to realise a very different type of alien. The Vian's have their own agenda and are not out to conquer the Galaxy. These are not superior beings outwitted by clever humans. Earth is not in danger. The story is resolved not with a fist fight but when Kirk tells the Vians that they have lost the very qualities they are looking for in Gem; almost a proto Star Trek: The Next Generation resolution. This is an attempt to break out of the usual format while still telling a recognisably Star Trek story.

Unfortunately The Empath is dull. Like Return To Tomorrow it feels as if there isn't sufficient plot to fill a 48 minute episode, but where Return To Tomorrow could pad out the running time with characters making speeches at each other The Empath has an additional problem. Gem is mute. This is, as already mentioned, an attempt to realise a very different kind of alien, but it does mean large portions of the story are dialogue free. It's possible to do exciting dialogue light sequences but they rely on the film editor having sufficient material to cut a sequence together. In The Doomsday Machine the 90 seconds between Kirk activating Scotty's improvised self-destruct system and the planet-killer being destroyed has this dialogue.
 

KIRK: Beam me aboard.
SPOCK: Energise.
KYLE: Energising. Bridge, it's shorted out again.
SCOTT: Och, what's wrong with it?
KIRK: Gentlemen, beam me aboard.
SPOCK: We can't, Captain. Transporter is out again... Mister Scott, twenty seconds to detonation.
SPOCK: Mister Scott?... Mister Scott. Try inverse phasing.
SULU: Sixty, fifty, forty, thirty.
KIRK: Gentlemen, I suggest you beam me aboard.
SULU: Ten, nine, eight, seven.
SPOCK: Mister Scott?
SCOTT: Try her now, Mister Kyle.
SULU: Six, five, four.


That's 13 lines of dialogue to cover one of the most exciting 90 seconds in Star Trek. Film editor Donald R. Rode is able to keep cutting between Kirk on the Constellation, Spock on the Enterprise bridge, Scotty in the Jefferies tube, the transporter room, the damaged exterior of the Constellation, and the maw of the planet-killer. In The Empath Donald R. Rode struggles to make a shorter sequence work when Gem heals the cut on Kirk's head; simply because he doesn't have the same variety of material.

[Medium close-up of Gem]
[Medium close-up of of Kirk showing a cut on his forehead]
[Medium close-up of Gem, she begins reaching forwards]
[Three shot of Kirk, Gem, and McCoy, Gem puts her hand on Kirk's forehead]
[Medium close-up of Gem]
[Medium close-up of of Kirk, the cut vanishes]
[Medium close-up of Gem, the cut appears on her forehead]
[Medium close-up of McCoy]
[Medium close-up of Kirk, he begins reaching forwards]
[Medium close-up of Gem, Kirk touches the cut]
[Medium close-up of Kirk, he looks at the blood on his fingertip]
[Medium close-up of of Gem, the cut vanishes]
[Medium close-up of McCoy]
[Three shot of Kirk, Gem, and McCoy, Gem slumps forwards as Kirk touches his forehead]
Kirk: The pain is gone.


Even that simple sequence was probably a nightmare to film. Something as basic as capturing two shots of William Shatner with and without make-up for the cut, so they could be convincingly dissolved together, probably ate up filming time. In fact possibly that's one reason for the black void setting; a featureless background would simplify the process of dissolving between shots of actors. The lack of dialogue also hampers storytelling because the shots that are filmed have to be as simple and basic as possible to allow the audience to see what is happening and understand events without explanatory dialogue.


It's easy to think of The Empath as a cheap money saving story, the central location for the action is a large black void, but by the standards of Star Trek this is lavish. There's a specially composed score by George Duning. The research station seen in the teaser doesn't look like a redress of one of the Enterprise sets which means a specially constructed set was made for an area with less than three minutes of screen time. There's also a planet exterior set, make up for the two Vians, more make up for the assorted injuries inflicted on the landing party and Gem (plus the time required to make up the actors), the hire of special props to fill the different areas of the black void, and lots of optical effects; the Vian's matter-energy scrambler, their force field, even something as simple as Gem's healing of the cut on Kirk's head is given a small optical effect. Ultimately even the black void itself comes across as a halfway house, less an excuse to save money than the only practical way to represent a large underground cavern on Star Trek's budget.

Ironically while the episode is dull it is visually interesting. The black void setting is unique and well lit and filmed by director John Erman and director of photography Jerry Finnerman; again there's no small irony that the man who made
Star Trek so colourful should spend his last episode lighting black drapes. In production order The Empath falls between two Ralph Senensky directed stories and it's tempting to wonder, given his skill at drawing sensitive performances from actors, whether the intent was to get Ralph Senensky to direct this episode rather than either The Tholian Web or Is There In Truth No Beauty?. If that isn't the case then its notable that the episode uses lenses in a similar way to those two stories. During the act two chase across the surface, when McCoy and Spock realise the rescue party is an illusion, a 9mm lens is used to add depth to the set and, exactly as was also done in Metamorphosis, strategically placed rocks hide off set areas which would have been revealed by the lens. It's also possible that some shots of the Vians make use of the 9mm lens, occasionally there's a degree of distortion to the aliens like the point of view madness shots in The Tholian Web or Is There In Truth No Beauty although the effect is more subtle. When Donald R. Rode is given sufficient material to work with he cuts together some good sequences. The act two chase works very well, and there's a lovely moment when, just before the healing sequence mentioned above, his editing shows the two Vians teleporting away by stepping forwards as if to walk out of frame; a subtle but good looking effect.

Enterprise crew deaths: None. After 12 episodes only three crew have died making season three the safest for the Enterprise crew; so far.
Running total: 49

Sunday, October 6, 2013

Spectre Of The Gun

CHEKOV: Where are we now, Captain?
KIRK: Spock, evaluation?
SPOCK: Obviously this represents the Melkotian's concept of an American frontier town, circa 1880.
MCCOY: It's just bits and pieces. It's incomplete.
SPOCK: Perhaps the Melkotians have insufficient data about this era.
KIRK: Or perhaps this is all they require to complete the pattern of our death.

The set design is what elevates Spectre Of The Gun. Gene L. Coon's script is fun but run of the mill by his own standards. It's a mash-up of Arena (powerful aliens force Kirk into a fight to the death to punish him for trespassing on their territory, at the end Kirk's refusal to kill convinces them to give him a second chance) and A Taste Of Armageddon. Spectre Of The Gun and A Taste Of Armageddon both use the same mechanism to get the Enterprise crew into the story; the Enterprise trespasses into a sector of space against the express wishes of the inhabitants. In both cases Kirk is under express orders to make contact but his attitude couldn't be more different. In A Taste Of Armageddon Kirk displays clear contempt for Ambassador Fox and his orders, all part of making sure the audience find Fox as unsympathetic as possible, but here his attitude is pragmatic and Kirk displays a lot less concern for the welfare of his crew even though the Melkotian warning is more explicit than the Federation code sent from Eminiar VII. Surprisingly when Star Trek: The Next Generation wanted to spoof the then current vogue for Robin Hood films they ended up writing an episode very much like Spectre Of The Gun; a powerful alien creates a self-sustaining world and drops in our heroes.

The weakest element of Gene L. Coon's script is his use of Chekov who manages to fall
deeply in love during his short stay in fake-Tombstone despite knowing he is scheduled to die at 5pm. At the end of the episode he has this exchange with Kirk.

CHEKOV: What happened? Where have I been?
KIRK: Right here, it seems.
CHEKOV: But that girl. She was so beautiful. So real.
KIRK: Do you remember anything else?
CHEKOV: No.
KIRK: Good. Perhaps that explains why he's here. Nothing was real to him except the girl.

“That girl,” was so real to Chekov he can't even remember her name. There's always been a brash juvenile streak to Chekov's character, look at the opening scenes of TheTrouble With Tribbles and Chekov's attempts to impress Kirk, but here he spills over into outright immaturity and it's a mystery why Kirk displays such tolerance for the romance.

The stars of the episode are the sets. Faced with a workable script which called for either location filming or the construction of a Western town set, both unaffordable on Star Trek's third season budget, someone -probably Robert Justman or Matt Jefferies- came up with the idea of the half-constructed town. Director Vincent McEveety carefully uses the resulting sets to make Tombstone feel like a real place with its own dreamlike logic and rules.

Despite the half-constructed sets, no one leaps over any of the waist high walls or has a conversation with someone within a building. Everything is treated as if it were solid. Even the characters seem to appear and disappear when no one is looking. Watch the moment when the Sheriff first appears; on his line, “Ike,” he's already outside the closed door of the Sheriff’s office and walking towards the landing party as if he just popped into existence. Likewise, at the end of his first scene the Sheriff walks off the left-hand side of the frame and it's as if he disappears. A similar trick is pulled when the landing party enter the Tombstone bar. From the street the bar is clearly empty, but as the landing party walk through the doors it is suddenly full of people; including some sitting where they should have been visible from outside. It's a simple directing trick but it makes Tombstone feels strange and disorientating. What makes the moment more effective is that none of the landing party react to the sudden appearance of all these people. The disorientation is only there for the viewer. The set for the OK Corral at the end of the episode is suddenly much more solid and realistic. Possibly this was done to stop the climax from looking too fantastical, there is already the very theatrical effect of lightning casting shadows on the sky and the brilliant visual of bullet holes appearing in wood as the Clanton's fire at the unaffected landing party.

Enterprise crew deaths: None this week.
Running total: 48.