It's time to play, Gene
Roddenberry for a Day. The rules are simple. Pretend
Where No Man Has Gone Before was the first Star Trek pilot
and think of an envelope story to wrap around the footage and pad it
out to two episodes.
Why, Where No Man
Has Gone Before? Only because the actual first pilot The Cage
was the basis for The Menagerie. To
get some idea of the difficulties Roddenberry faced it's necessary to
choose an episode where we can't watch his solution. And
Roddenberry's solution is inventive. Robert Justman first suggested
turning the unbroadcast 78 minutes of The Cage
into a two part story but it's Roddenberry, the writer, who deals
with the problem of making sense out of a story featuring a different
cast, set, and production style.
The Menagerie
(at least the portion of the script not recycling footage from The
Cage) is also the first
story completely scripted and filmed since Star
Trek began broadcasting
on 8th
September 1966. This is significant because it becomes the first
story made against the background of public reaction to the series,
and the public reaction was Spockmania! According to Leonard Nimoy's
autobiography I Am Spock -and
other cast and production people confirm this- by week five there
were “laundry bags full of mail” coming in for Mr. Spock. Week five would be the week of broadcast of The Enemy Within, and according to records the Monday of that week, October 3rd, is the date on the first draft of The Menagerie. Now,
Spock is the only character carried forwards from The
Cage, so it is
inevitable Gene Roddenberry's envelope script would be Spock heavy
but The Menagerie Part I
almost seems to fetishise him.
Star Trek
has already established a lot of information about Vulcans. The mind
meld was introduced in Dagger Of The Mind,
and the nerve pinch in The Enemy Within.
Miri
established Spock was physiologically different to humans, and every
episode seems to drive home Spock's emotionless nature. The most
Spock heavy episode of the first series, The Galileo Seven, has been
filmed but not yet broadcast. Despite all this I find it hard to
think of anything to compare to the two scenes in The
Menagerie Part I where
Spock sends false orders to the Enterprise.
Spock
creeps into the computer room on Starbase 11 and incapacitates one
member of staff with a nerve pinch. He is finalising his fake message
to the Enterprise when he is challenged by Chief Humbolt. Spock
fights him off, takes several heavy blows to the head, nerve pinches
Humbolt as well, and then uses faked messages from Captain Kirk to
trick the Enterprise into accepting his new orders. Plus we get two
scenes emphasising Spock's loyalty and Vulcan nature; one where Kirk
defends Spock to Commodore Mendez's aide, the other where McCoy
defends Spock to Kirk (a change from the normally antagonistic
McCoy/Spock relationship). We've been told in the past that Spock is
different to humans; smarter, stronger, more intelligent. The tone
feels slightly changed here, as if we are just being told Spock is
great.
Roddenberry
could have felt these scenes were necessary to make Spock's betrayal
of Kirk credible and to demonstrate he could hijack the Enterprise
alone, or this might be a series creator responding to the first
flashes of fan enthusiasm and grateful at least one element of his
series is an undisputed hit. Whatever the explanation, after this
point William Shatner will have to share the lead actor position with
Leonard Nimoy. This is the beginning of the path leading to Nimoy's
demand for a second series pay rise so large the producers consider
replacing him, the Shatner-Nimoy feud (the seriousness of which
depends on whose account you listen to), and the 1967 album Leonard
Nimoy Presents Mr. Spock's Music From Outer Space.
A
modern audience will never be able to watch Star
Trek
in the same way the original audience did but that's especially true
here. For the original audience the highlight of The
Menagerie Part I
must have been the first few scenes from The
Cage
which take up the last 15 minutes of the episode. Not knowing their
source it must have looked as if the production team had hired a
whole new cast, redesigned the sets, and then taken care to shoot the
footage differently. I spent ages trying to work out why the old
Enterprise bridge looks so dull. It's because The
Cage
was not lit by series director of photography Jerry Finnerman who
memorably used enormous splashes of colour to light the sets. It's
hard to believe The Cage was filmed in 1964. It looks ancient
compared to The
Menagerie
footage. The script tells us the events of The
Cage
took place 13 years previously, and this is mostly to distance
Nimoy's not quite there performance, at one point he even cracks a smile, but it
really does look as if it was filmed in 1951. When blonde haired
navigator José Tyler puts on a blue blazer-like top to go planetside
he looks so square he only seems to be missing an “I LIKE IKE”
badge.
Kirk
and Mendez take a shuttle to catch up with the Enterprise, the first
time we see one of these crafts on screen, but the shuttle was built
for The
Galileo Seven
filmed two episodes previously. Once again resources spent on another
episode end up making The
Menagerie
look more lavish. And that's the main triumph of The
Menagerie Part I.
Gene Roddenberry takes an unpromising brief and turns it into something entertaining. A quick, cheap, and mechanical story, with no goal beyond
getting the cast into a position where they, and the audience, can watch edited highlights of The Cage, turns out to be very watchable.
Enterprise crew deaths: None. Spock's takeover of the Enterprise is a bloodless coup.
Running total: 19
Running total: 19
Misc:
As well as The
Menagerie, two other things helped Star Trek claw
back some lost production time. The Corbomite Maneuver
had been made as the
first episode in regular production but held back until week ten.
Then, Star
Trek was
preempted on Thursday 1st
December for an episode of The Jack Benny Hour
(which you can see here, complete with “Star Trek will not be
presented tonight...” announcement, and groovy NBC “living color”
logo). However time ran out on 22nd
December when the series took an unscheduled
break and What Are
Little Girls Made Of? was repeated.
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